Tag: Paris Writers Workshop

Writing in Paris – Part 2

The Paris Writers Workshop

In January, I wrote about the first workshop I ever participated in and why it was so valuable to me. And because of the Workshop, I went on to write and publish a book, and call myself an author.  Now that the Paris Writers Workshop is open for registration and only three months away, I wanted to describe specifics. As dry as this writing might be, every word is written with gratitude for the opportunity granted to me.  As my mother used to say to me constantly: “There is no such thing as luck. It’s grabbing at an opportunity when it presents itself.”

Why would Paris residents want to register for PWW? For one, it is so accessible–a metro ride away. It’s affordable—as in the past, there is an early bird registration which I took advantage of each year that I registered. And as WICE is a nonprofit, the price is very reasonable.

PWW will be held at the beautiful Reid Hall in the Columbia Global Centers in the literary Montparnasse neighborhood. There is a large beautiful garden area with plenty of seating. One can write at one of the many tables or bring a bag lunch to enjoy with your cohorts surrounded by trees and summer flowers. Le Select, La Coupole, Le Dome, and Le Closerie de Lilas (one of Hemingway’s hangouts) are in walking distance.

Reid Hall

And non-Paris residents? Who would turn down a chance to visit Paris in the early summer before the craziness of the Olympics starts? We will happily make suggestions for reasonable accommodations (but I’m told you need to make those reservations now as Paris is raising prices in anticipation of the Summer Olympics), and you will have a new literary home away from home.

Now to the really good part:

We have an amazing lineup of teachers for six tracks.

The Novel master class will be taught by Samantha Chang. I know her as Sam.

Sam is the Director of the famous Iowa Writers’ Workshop. She is the author of The Family Chao (she spoke at the American Library Summer 2022), Inheritance and other titles.

The Memoir/ Creative Nonfiction class will be taught by Jennifer Lauck.

Jennifer is the Founder of the Blackbird Studio for Writers. She is the author of Blackbird,a Memoir of her childhood, and 3 more memoirs that followed. Oprah said that everyone should read Blackbird. She also writes a wonderful Substack: Flight School with Jennifer Lauck

Poetry will be taught by Heather Hartley.

Heather, a resident of Paris, teaches Creative Writing at the University of Kent (UK) Paris School of Arts and Culture.  She is the author of the poetry collections Adult Swim and Knock Knock.

This year, we are offering three new tracks:

Speculative Fiction will be taught by Kevin Brockmeier.

Kevin is the author of The Brief History of the Dead, The Truth about Celia and other titles. He frequently teaches at the Iowa Writers’ Workshop.

Screenwriting will be taught by Diane Lake.

Diane has written many screenplays for major studios including the Academy Award winning Frida. She is the author of The Screenwriter’s Path: From Idea to Script to Sale.

Travel Writing will be taught by Don George.

Don is Editor-at-Large for National Geographic Travel. He is the author of How to Be a Travel Writer: the best selling travel writing guide in the world.

Go to our website, https://wice-paris.org/paris-writers-workshop for more details about our amazing faculty. Each track has its own registration page. Click on the photo of the teacher to get to that registration.

Once you register, you will receive an acceptance e-mail unless the course is full. Each Masterclass will have a maximum of twelve students.  You will be given some choices if that is the case.

Your masterclass package includes:

·       Daily small group masterclasses in your selected genre

·       Individual meetings with your faculty instructor

·       Inspirational and practical guidance for your work in progress

·       Panel discussions focused on tools of writing and paths to publishing

·       Readings by your fellow writers and faculty

·       Social gatherings with an amazing community of writers from all over the world

Students and faculty will meet together Sunday, June 2 from 2 PM to 4 PM at Reid Hall.

The masterclasses will meet each weekday from 2 to 5 PM Monday through Friday. There will be literary events each evening.

Monday morning there will be a LITERARY walking tour of the Montparnasse area for anyone who is interested. The whole week will be topped off on Friday evening June 7 with readings by the faculty and students.

And on Wednesday and Thursday, we will have two well-known British agents here. You can pre-send a writing sample to one or both and pitch your project face-to-face.

Registration is now open. The earlybird registration fee is €975.

After March 15, the fee for the workshop will be €1100.

This is a wonderful opportunity to write, to meet other writers and authors, to organize writing groups at the end of the week, and to pick the brains of published authors.

If you know anyone who is a writer who wants to write as I did or is a secret writer please pass on this information.

A group of people raising their hands Description automatically generated

Participants of the Short Story track at a PWW.

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A bientôt,

Sara

My story: The Perfect Game

“We are excited to invite you to our annual AWP reading + celebration on Friday, Feb.9 at 7PM at Sinkers Lounge, in Kansas City.     (Sinkers is just 2.5 blocks from the KC Convention Center.)”

I received this e-mail two days ago. Many of you will remember how excited I was to have a story I wrote be accepted to the Under Review. The on-line digital version of the journal is out (click here). Issue 9. And many of us writers of Issues 8 and 9 have been invited to read our stories at AWP 24 (Association of Writers and Writing Programs) next month in Kansas City.

I sent the invite to my writing group to see if they would come support me and the responses ranged from “Wait, what, the Journal is out and you didn’t tell us?” “Heck yeah!” “How come you aren’t telling everyone they can see your story in print?” That brought me up short. I hadn’t even thought of telling people. Why not? I’d sent the link to a number of people I was sure hadn’t seen it and that was it. We writers have to be brazen about publicising ourselves as no one else will do it. Even for a book, the cost of having publicity done by a company is prohibitive to most people. I’m told that even traditional publishers don’t do publicity unless you are Stephen King or John Grisham. No matter how shy we are or how difficult it feels to tout one’s own horn, no one else is going to do it.

So to those of you who gave me high fives when my story was accepted and all the rest of you who may have missed that blog, now you can see it digitally in print here

If you are going to AWP 24 this year, please come to Sinkers Lounge on Friday evening, Feb 9th. If the weather keeps going in the direction it’s going, which is to say it’s getting warmer, it could well be in the low or high 40s by the time we all get there. So no excuse.

Last year, three people, that includes me, in my writing group went together to AWP 23. We’d only met on Zoom for eight months or so. It was like we’d known each other forever, we got along so well. This year five of us in the group are going. I rented a five-bedroom house that looks as quirky as we feel when we all get together. We may even get a dog staying with us this time around.

I’ll be taking flyers to AWP to advertise the Paris Writers Workshop in Paris, June 2-7, 2024. Which, btw, I have more information about. I wrote my story of Writing in Paris three weeks ago and how honored I am to be part of this year’s planning committee. At the time I published, I didn’t know some exact details. Here they are. This is the landing page telling you exact dates and about the faculty. The entire website will be up and ready for registrations on January 31.

Registration: Early Bird—975€ till March 15, 2024       

    Full price —1,100€ March 16 onwards 

Agent consultations: For an additional fee, you can register for one, or two, agent consultations. More information to come.

Cancellation Policy:

 Full refund through 15 April 2024 minus 100€ admin fee

Half refund through 30 April 2024 minus 100€ admin fee

I hope to see lots of blog writers and readers at the Paris Writers Workshop. I’ve gone twice now. It is excellent and so reasonably priced. Paris will be dressed up in preparation for the summer Olympics. It will be a good time to see all the decorations without having to deal with the crowds.

A bientôt,

Sara

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Writing in Paris…….Paris Writers Workshop June 2-7, 2024

If you have ever dreamed of writing a memoir, a short story, a novel, and doing it in the City of Light: Paris, you can do it this summer. My writing story follows.

I discovered reading for fun the summer I turned 14. During summer camp in Vermont, we were bussed down to Tanglewood in Western Massachusetts to picnic and listen to the Boston Symphony who summered there (Back then it was known as the Boston Pops).  Wandering off by myself, I found a gift shop. A plethora of paperback books on three racks greeted me as I walked in the door.  I’d never bought a book on my own.  Going into a shop and browsing, having a title leap out at me and paying for it with my own money, this was new and foreign territory for me. I spun one of the book racks and the title A Separate Peace (John Knowles, 1958) jumped out at me. I bought it.

I devoured A Separate Peace. Every afternoon rest period, I read. At night, in my sleeping bag, flashlight on, I read. The book, about two teenage boys at Exeter Academy, spoke to me.  Before I’d finished, I knew I wanted to write. It wasn’t a crystalized thought. I had so many pent-up teenage emotions with no idea how to express them other than screaming at members of my family. I just knew that getting what was in my head out on paper had to have some kind of transformational impact.

From then on, reading became my way of not feeling so alone. I wasn’t great at talking. I had an A+ in complaining. And, like so many teenagers who feel unfocused creative thoughts, I soon started writing awful poetry.

Over the next 20 or so years, I tried to write stories. I’d start out fine but could never find a way to end them. In my thirties, it dawned on me that I had nothing to say. My life experience was limited, and I had little self-awareness to make sense of the experience I did have. As years passed, I began telling myself that I was Going To Write A Book when I was 55 instead of 30.

Fifty-two years after that Tanglewood experience, I moved to Paris.  I was retired. I had more curiosity than I could contain. Writing courses were plentiful, almost on every street corner! After signing up for the requisite immersion French class, I decided NOW was the time to learn the craft of writing. I joined WICE (Where Internationals Connect in English), an organization that teaches language, creative writing, and photography courses among other offerings. It was mid-October and the only writing course that wasn’t full was a memoir class.

I am eternally grateful that the teacher loved my writing. I signed up for another of her classes in the Spring. I learned that WICE hosts a biannual Paris Writers Workshop (PWW). Unlike many workshops that take place year round in France, this one was reasonably priced. I didn’t hesitate.  Those nasty voices that tell us ‘we’re no good’, ‘Who do you think you are?’, and the zinger, ‘You’re too old to do this’, hadn’t yet taken up residence in my brain. I signed up.  I even met with one of the agents at the conference. She wanted to see more of my writing.

Four years later, I published my first book, Saving Sara: A Memoir of Food Addiction (SheWritesPress, 2020).

I became aware that in my adopted country of France, there are thousands of offerings for the writer and the would-be writer: in-person writing courses, video writing courses, workshops in gorgeous chateaux in the French countryside. But the Paris Writers Workshop stayed my first love. It was the place that had given me the confidence to call myself a writer.

This year, I’m excited to be on the planning committee of the new Paris Writers Workshop, which will be held June 2-7, 2024.

PWW began in 1988. It is the oldest continuous writing workshop in Paris. The 2024 workshop promises to be one of the best so far. The Writing Workshop includes six tracks—Fiction, Speculative Fiction, Memoir/Creative Non-Fiction, Travel Writing, Poetry, and Screenwriting — with an amazing faculty lineup. The wonderful Jennifer Lauck whose Substack Flight School with Jennifer Lauck was one of Sarah Mays top 10 writing Substacks last November will be teaching the Memoir/Creative Non-Fiction track. For the first time, we will be partially sponsored by the Columbia Global Centers and will meet in CGC’s beautiful Reid Hall, in the center of the literary Montparnasse neighborhood. 

Reid Hall at the Columbia Global Center in Paris, 6th arrondissement.

The PWW website goes live January 31, 2024. You can go to the landing page now. Click here to see it. There you will find information on each track and a bio of the teacher.

Registration starts on January 31, 2024. There is an Early Bird registration which gives the writer 100 euros off the 1200 euros price. 

And if the unexpected happens, one can get a full refund. Those dates will be up on the website.

You can also write pww@wice-paris.org for specific information. If you are sure of a track before registration opens, you can claim a spot at pww@wice-paris.org.

A bientôt,

Sara

A different version of this blog appears in the Jan/Feb issue of the AAWE News Paris

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