Art in Paris: digital and natural

Monday, I was sitting on a platform in the back of an old foundry in Paris overlooking what is now known as Atelier des Lumières. The Atelier is the first digital art museum in Paris. I have gone five times since it opened its doors in April of 2018. All the shows are a combination of Art and Technology. Using 120 projectors, images are thrown up on walls and the floor. They are in constant motion and accompanied by music.

After watching a show of Cezanne, Kandinsky, and Van Gogh, I decided I wanted to know more about the origins of the Atelier des Lumières. As each of the shows ended and the credits were projected on the walls, eight cities (including Paris) now house these light shows: Bordeaux, Les Baux-de-Province, Amsterdam, New York, Dubai, Seoul, and Jeju. That is six more than the last time I was there during the summer of 2020. My sister had told me she had tickets to see the Van Gogh show in Detroit (for five times the price we pay here in Paris!). I had assumed it was the Paris show that was traveling but I’m not so sure. There is a permanent installation in New York.

The first of these art and technology shows, Carrières des Lumières, started in les Baux-de-Province. There the art is projected onto the walls of caves. It is part of a much larger organization called Cultural Spaces. Bruno Monnier, the president of Cultural Spaces, wanted to bring the idea to Paris. He found an unused foundry from the 19th century called Chemin-Vert located in the 11th arrondissement. It was created in 1835 to meet the needs of the Navy and railways for high-quality castings. It closed in 1929 due to the International crisis. Monnier has taken the space, left it intact, and cleaned it up while fitting it for all the projectors. It opened in 2018 with a show of Klimpt’s famous paintings. It is hard to describe the show if you haven’t seen one. My photos are static but the images are constantly moving like a giant slide show. Music is chosen specifically for certain periods in an artist’s life. The result is captivating. It’s not a stretch to call it a completely immersive experience. Children often run around chasing the images on the floor and become part of the fun of the show.

Kandinsky

After writing the above, I walked to Parc de Bagatelle to check on the peacocks and the cats. I couldn’t go on Sunday. I saw how fast the peacock tails were growing in. I thought of sitting in the Atelier watching these famous artists’ depictions of nature dancing on the walls. And, of being in Bagatelle week after week, looking at the trees turn colors, the roses die away, a few defying nature and hanging on to their stems, the peacocks strutting around, their tails growing so fast it just might be a slide show. There is no sign of the females. There aren’t even that many people even though it was a lovely autumn day. The cats were all out enjoying the warmth of the sun.

Gaston and Zoe (the cats from the circus) are lying on the bench.

The regular volunteer was just finishing up feeding time for the cats. I asked him how long it took the peacock tails to complete the circle to full growth. He said April. They molt in August. Four months is the short time they are full and probably the equivalent of mating season.

Two months worth of growth, the eyes are now clearly visible

I asked him about kittens. He said most are born between September and December. We never see them because the mothers hide them in the thick bushes on the periphery of the park. I had visions of bushwacking my way through those bushes until I found a litter. Then I’d steal one and raise it—much to the chagrin of Bijou who is the true Lady and Mistress of my small apartment. A girl can dream.

One rose, with a strong perfume, is hanging on. Because it is an entrant into the competition of 2023, it is not named.

Being at Bagatelle week after week is as immersive an experience as the digital art show at the Atelier. One shouldn’t compare apples and oranges but, if I were forced to choose…..

Van Gogh’s Starry Night

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A bientôt,

Sara

La Rentrée

Most of us know there are four seasons in the year. In France, there is a minimum of five seasons. The one we are in presently is known as La Rentrée. Literally the word mean ‘The Return’. It’s the time when all Parisians come home from wherever they spent August, and in some cases, July and August. Children prepare for school, and, even though the weather may still feel like summer, it’s the beginning of Autumn.

To understand “La Rentrée”, one has to understand the month of August. During August, almost everything stops. More than half of stores shut down. Restaurants, that are not in the tourist center, close for the month. The trains all do whatever repair work needs to be done. Many of the lines do not run. In August, the government is not to be found. As friends part for the summer, you can hear them say “A la rentrée” which loosely translates to “See you in September.” In other words, every single person in France knows that if you include ‘la rentrée’ in a sentence, you are referring to that season beginning September 1 when everything starts anew. Clothing stores have fresh stock. Children are back in school. The government gets back to work. And every supermarket has huge sections of space dedicated to schoolwork, creative work, and office work. If you have a favorite pen and haven’t been able to find another just like it, chances are very good, you will find it at the Carrefour or Monoprix during La Rentrée. It is a time of celebration and many parents will hang around their children’s school catching up with a drink or two in their hands.

I love it when every store stocks up on notebooks, paper products, pens of all different sizes, tips, and comfort. I will stand far too long in front of these aisles telling myself I don’t need anything (I have enough journaling notebooks to last me well into the next decade), and still end up at the cash register with a new pen and perhaps a folder. I love to write on paper. The computer is fine but pen to paper…there is nothing like it.

And … Writing. I did not make it into the Stanford Certificate Program. When I received the e-mail, my first feeling was of disappointment. My second was relief. I had started a summer course at Stanford Continuing Education in Short Story writing. I was beginning to get an idea of how much time just one course requires. I had no trouble finding the time. I was like a human vacuum cleaner sucking up all the knowledge that was available. So, along with reading published short stories and commenting on them, we each wrote a short story, had a workshop and every student commented on every other students writing. It was terrifying and glorious. When I magnified the work out two years, I wasn’t at all sure. Did I have it in me to write this novel I want to write. Or perhaps I should be sticking to what I do well, non-fiction writing. Since it was August and no one thinks in August, I put off any contemplation until September. I’ve signed up for another Stanford course and cannot wait for it to begin. And, by the way, I got an A+ in my class. I believe it is the first A+ I’ve ever gotten in my life!!!

Female and male peacock after mating season has ended. The male has shed his tail.

Lastly, and I’m taking huge license with this one, even Parc de Bagatelle and some of its creatures are starting anew. The male peacocks are molting which means they are shedding their gorgeous tail feathers!! I had no idea. After mating season ends, since tail feathers are not regenerating, they slowly fall out. When I was there this past Sunday, there were only a few colorful feathers on the backs of the males I saw. Here is some fascinating information from a website called: peacocksuk.com

Male peacock last week in August

“The peacock has around 150 to 175 long tail feathers or long covers which sit over shorter strong tail feathers. These shorter feathers  support the weight of the long tail covers which grow to three to four feet long. As the peacock matures to five or six years old, the peacocks tail feathers grow in size and the number. As the peafowl reaches maturity the eyes on the tail feathers become larger. At maturity the peacocks tail will be constant each year as long as the peacock is in good health. If several males are kept together we have found that the subservient males will not grow or develop a tail as striking or large as the dominant peacock.  If these birds are removed from the pen with the dominant male the upper tail feathers then develop! After the peacocks long tail covers have moulted the new tail begins to grow in the autumn, reaching maturity in time for the next mating season in the spring.”

A bientôt,

Sara

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